
Jordan Dobson (above) and Jonathan Raviv (left) in “Night Side Songs.”

Mary Testa in A.R.T.’s world-premiere production of “Night Side Songs”
Even in 2025, terminal illness is still a somewhat taboo subject. There have been a few attempts at a Broadway-style musical about the big C, but none have hit wild success. “Night Side Songs,” a communal music and theater experience commissioned by the American Repertory Theater and created by Richard Rodgers Award recipients Daniel Lazour and Patrick Lazour, takes a different approach to a near universal experience.
The intimately staged performance tells the narrative stories of doctors, patients, researchers and caregivers within the terminal illness world. But as the audience watches their stories unfold, they participate by optionally joining in during the songs. It functions like a singalong but with the intention of release and community.
“In American culture we have so few opportunities to sing together,” says Daniel Lazour in an Instagram video. “And there’s something that happens chemically when we sing together…it’s bringing about catharsis.”
The unified voices have almost a spiritual quality that Director Taibi Magar describes as a “secular mass” providing community, support and an emotional outlet without the context of religion.
The narrative vignettes for “Night Side Songs,” came from the Lazours own experience but also from many interviews with folks involved in terminal illness in one facet or another. Magar
was drawn to the authenticity of the emotions in the production. Her
own father passed away from cancer when she was 25.
“It
was a journey to really understanding how to make a piece that
satisfied our intellectual curiosity about cancer and the search for
cure,” Magar said. “But also, that provided a more immediate and
intimate conversation about what it is to go through the experience.”
The
show began its journey at the American Repertory Theater in Harvard
Square, but the Lazours and Magar felt it was important to bring the
production into other Boston area communities as well. The piece was
performed at the Cambridge Masonic Temple Mach 27 to April 2 and will
run at Hibernian Hall in Roxbury April 9 to 20.
These
spaces are physically smaller, which creates more of the intimate
effect intended for the production, but it also allows other communities
to experience the production. Nearly everyone has some connection to a
challenging health care journey.
“As
we strive to break down the fourth wall, being in a room that you don’t
normally associate with theater felt like the right way to shake up how
an audience can enter the piece and have a little bit more ease,” says
Magar.
During the
show, audiences are positioned more or less in a circle around the
performers. Actors Jordan Dobson, Robi Hager, Brooke Ishibashi, Jonathan
Raviv and Mary Testa create the narratives of people involved in
long-term health journeys and the audience, with music in hand, sings
along with them.
“Night Side Songs,” is named for a Susan Sontag quote that reads “illness is the night side of life.”
Although
the subject matter is heavy, Magar says the tone is very humorous in
many places. When going through something challenging, humor is an
essential tool to push forward.
“It’s
a piece that makes you want to call your sister and just hang on
tight,” Magar said. “It really fully brings you into the present in
terms of appreciating all that life has to offer, which is a real balm
in this current political climate and in dayto-day life. It’s really
special.”
On the web
Learn more at americanrepertorytheater.org