
Mehmet Ali Sanl kol is nominated for Best Engineered Album, Classical.

Vijay Iyer, Arooj Aftab (above) and Shahzad Ismaily have been nominated for their album “Love in Exile.” Boston
musicians, breaking down musical boundaries, are well-represented as
nominees for the 2024 Grammys. Nominees appear across a wide array of
loose-fitting categories onstage and behind the scenes. Berklee College
of Music, Harvard University and the New England Conservatory are the
primary local sources of performers, songwriters, engineers and
producers, with current faculty and alumni appearing on a diverse set of
albums. Jazz and so-called global music are at the center of many
nominees. The Banner caught up with three local nominees recently.
A
full-time faculty member at the New England Conservatory (NEC), Mehmet
Ali Sanl kol is nominated for, “A Gentleman Of Istanbul,” in the
category of Best Engineered Album, Classical. Sanlikol, who also serves
as director of NEC’s Intercultural Institute, spoke to the Banner about
his unique, eclectic and nearly uncategorizable album.
“This
album was inspired by the very fascinating travels of Evliya Çelebi,
who was a 17th-century Ottoman intellectual,” Sanlikol said.
“I
picked him because at the time, Donald Trump was going on about the
so-called Muslim ban. All you had then were very stereotypical, outdated
images of Muslims.”
Sanlikol,
trained as a classical musician, with a career as a jazz pianist, added
to his knowledge. Immersing himself in what he terms, “a decade of
studies,” he learned to play traditional Turkish instruments: the oud
(“a short-necked lute”); and the ney (“a type of flute”). He also
studied Sufi dervishes and practiced singing Koranic recitations. All of
this combined to create his own interpretations of deep, musical
cultures.
“My role as
director of the Intercultural Institute is to introduce our students to
all kinds of traditional music and cultures around the world,” Sanlikol
said.
Over at Berklee, visiting scholar Miguel Zenón, in
the Harmony and Jazz Composition Department, is Grammy-nominated for
Best Latin Jazz Album for “El Arte Del Bolero Vol. 2.,” a collaboration
with Venezuelan pianist Luis Perdomo. Zenón, a composer and alto
saxophonist, is originally from Puerto Rico.
“Anyone
growing up in Latin American culture would find our melodies familiar,”
Zenón told the Banner. “The music is a cultural expression; we are not
recreating the songs, we are using a jazz tradition to create our
interpretations of them.”
The
duo of Zenón and Perdomo create harmonies on the album that wordlessly
establish a peaceful space. That space is not nostalgic, but rather is a
musical anchor, a legacy of the musicians who helped to establish a
Latin American culture that has no national boundaries.
“The
album celebrates the Latin American songbook,” Zenón said. “It is the
same as the Great American Songbook having songs, for example, by George
Gershwin and Cole Porter. The songs on my album are what we grew up
hearing with our parents and grandparents.”
In
addition to teaching and performing, Zenón established Caravana
Cultural, a project based in Puerto Rico that provides free concerts
focusing on jazz greats. Performing all
over the island, the project has brought the music of Miles Davis,
Charlie Parker, Duke Ellington and Keith Jarrett, among others, to
audiences in recent years.
“Love
in Exile,” is another Grammy-nominated album featuring musicians with
ties to Boston. Named by The New York Times last week as one of the 10
best in 2023, across all musical categories, it features Harvard
professor Vijay Iyer and Berklee graduate Arooj Aftab, along with Shahzad Ismaily. The recording is impossible to define, with its use of jazz idioms, Pakistani and Indian traditions, and synthesizers.
Aftab
told the Banner, “On the album, I’d like to think that I am the third
instrument. I sometimes follow and build on ideas Vijay and Shahzad put
forward, and then at other times I am the idea, the driving force, that
we build on. I focus on freedom inside of the tunes, but all three of us
are consciously kind of steering the tunes to have a beginning, a
middle and an end, so the music can feel graceful and thoughtful and
complete.”
The Grammy Awards ceremony takes place Feb. 5 in Los Angeles.
This
year’s Grammy nominees bear truth to the adage attributed to the great
Duke Ellington: “There are simply two kinds of music, good music and the
other kind.” And by breaking down borders, these musicians allow us to
listen with open minds and hearts.