Springfield area cinephiles benefit as the Route 66 Film Festival and the Springfield Art Association’s Film Series grow in size and quality. The 2009 Route 66 Fest, held last September, tripled its 2008 attendance while the SAA’s 2010 Film Series features one of its best lineups yet. Seven acclaimed films are en route to local screens, including one beloved at Sundance (Amreeka) and an Academy Award nominee (Revanche). Other titles comprise the third major picture from an escalating American filmmaker (Goodbye Solo), a movie written and helmed by a prominent female director (Bright Star) and the most celebrated foreign film of the year (Summer Hours).
Amreeka opens the 19th annual festival on Jan. 17. The immigrant saga tells the story of a divorced Palestinian woman who moves to Illinois soon after the invasion of Iraq. Director Cherien Dabis’ short film, Make a Wish, screened at the 2007 Sundance Film Festival. Amreeka, her first feature, showed there in 2009 and won the FIPRESCI International Critic’s Prize at Cannes. Although the film marks the debut of many actors, the cast includes Alia Shawkat (Arrested Development’s Maeby Funke) and celebrated Palestinian actress Hiam Abbass (The Visitor).
Muna, played by Nisreen Faour, is loosely based on Dabis’ aunt, and the filmmaker toiled to make her often-stereotyped characters relatable to all audiences. “It was important for me in this movie to create a sense of intimacy and authenticity,” she says. “I want people to walk out of the theater feeling like they know us.”
The movie’s title is the Arabic word for “America.” “Amreeka was my way of finding a title for a movie that’s about the melding of two cultures,” Dabis explains.
The festival continues with Japanese import Still Walking. The family drama portrays siblings visiting their parents on the anniversary of a family tragedy. In his review, Roger Ebert compared director Kore-Eda Hirokazu to the legendary Yasujiro Ozu for the way Hirokazu lets the story unfold, bolstered by natural cinematography and notable acting. In his New York Times critique, A.O. Scott called the movie “transcendent...completely absorbing, so sure of its own scale and scope that while you’re watching it, the rest of the world fades into irrelevance.”
Still Walking is followed by Revanche, an Austrian offering whose title means “revenge.” The neo-noir thriller is amassing global awards and will help its country defend a Best Foreign Language
continued on page 12