
(left to right) Demian Cabaud, Ariel Bringuez, Jordi Rossy and Miguel Zenón
New album from Miguel Zenón pays tribute to jazz giant
Alto saxophonist and Berklee alumnus Miguel Zenón and an international quartet of musicians commemorate renowned jazz saxophonist Ornette Coleman with their new album, “Law Years: The Music of Ornette Coleman.” With Ariel Bringuez on tenor saxophone, Demian Cabaud
on bass and Jordi Rossy on drums, the album features seven tracks of Coleman’s unique melodies, a tribute to the musician’s pioneering work.
“As I listen to the music, it almost feels like a different time, a time when we weren’t afraid to be close to each other,” says Zenón. “A time when we could still play in a packed room, with the audience right in front of us, and just feed off their energy.”
“Law Years” will be released March 12 to stream on Spotify, Apple Music, Tidal, Deezer and Bandcamp. The release celebrates the late Coleman’s birthday, March 9.
Zenón first heard Coleman’s music as a teenager. He was struck by the smooth and unconventional blend of sounds.
Zenón refers to it as a musical freedom — not chaotic and disparate, but also not confined to the
traditional harmonic progressions that many jazz improvisations rely
on. Coleman’s music demonstrated an artistic liberation that’s inspired
him ever since.
“There
is freedom there, and lots of it,” says Zenón. “But there’s also a deep
sense of cohesiveness and structure. And, above all, melody: beautiful
and inspired melodic lines that serve as springboards for everyone
involved.”
When Zenón
was invited to a residency at Bird’s Eye Jazz Club in Basel, Switzerland
in May of 2019, he decided to channel this love of Coleman’s music into
an album.
Little did
Zenón know how relevant the notion of freedom would become in the next
year of pandemic lockdowns. Now the group listens to the album with
pride and a little wistfulness, eager to be able to bring energy and
live music to the public again.
This
group of musicians had never played together before recording “Law
Years” but their chemistry and shared enjoyment of the music were
instantaneous. The collection of musicians strikes Zenón as another
extension of Coleman’s musical freedom. “I’m Puerto Rican, Ariel is
Cuban, Demian is Argentinian and Jordi is Catalan,” he says. “The fact
that we are all from different parts of the globe and all Spanish
speakers raises another important point: Jazz music knows no boundaries
or labels; it is as inclusive now as it has ever been.”
ON THE WEB Preview the album and learn more at miguelzenon.bandcamp.com/album/lawyears-the-music-of-ornette-coleman